Aareon Boyd adds irreverence and audacity to the historic medium of quilting; he deconstructs and reinterprets traditional patterns with his abstract, improvisational style. Indisputably, his quilts have energy.
Herbicides and pesticides like Dicamba and 2,4-D are cross-contaminating neighboring crops and surrounding plant life. And we do not know what long-term effect this will have on our landscape
Nichole Gronvold-Roller contours the edges of our surroundings. the geometry of human organization, of perspective of our way of negotiating the land around us. She pits that geometry against the interior world of household domesticity — it’s decor and lived-in architecture.
In the spirit of optimism, let us collectively strive for a world where compassion triumphs over conflict and justice prevails over oppression. Picture a future where people from all walks of life collaborate to alleviate suffering and build a world founded on compassion and justice.
Curriculums have been veering away from social responsibility in favor of majors emphasizing specific skills. But at what cost?
I believe former officer Chauvin contributed to the death of George Floyd, but I have come to believe he did not get a fair trial. There was quite a lot of bungling by others that could have changed the outcome that day.
Home cooking — the preparation, unique ingredients, smells and tastes — reminds us of what we’ve had to do to persevere, especially during the holidays
There’s a way to address the common human activities of discarding food, which results in dramatic methane emissions, especially from landfills — composting; and the Peoria area has a convenient, simple way to make a big difference: community composting.
The final resting area of a historic pony truss bridge is a very interesting travel wayside: It now sits at the top of two separate watersheds. … Rain falling east of the bridge will wind its way to the Illinois River through Crow Creek south of Henry. Rain falling west will meander to the Illinois via the Spoon River near Havana.
With exquisite rendering, Justin Henry Miller skillfully combines a perversion of implied slick surfaces with indulgent colors, creating a sort of Freudian exploration of desires. Yet, within one’s visual vocabulary, a familiarity emerges as if these fundamentally different elements harmoniously converge.
