I have been taught a variation of a quote by the Spanish philosopher George Santayana who stated, “Those who cannot remember the past are condemned to repeat it.” Yet, I have learned to remember and celebrate the past, not only from not wishing to replicate it, but to be able to grasp the passion, the foresight and the insight of those who have gone before. These will be considered as we take a slow walk through the Peoria Heights Village Hall.

The emphasis of this month’s journey into Richwoods Township and Peoria Heights focuses on the “Four Murals.” Perhaps, you have seen them; the four murals which set the backdrop for the Council Chambers of the Village of Peoria Heights. Similar to “Gummupence” and “Denizen,” I have walked past these works of art for the past several years, never knowing their historical purpose. Their description necessitates more than the space allowed, but we will take a slow look.

These four murals were commissioned by the Pabst Brewing Company in February 1975 to commemorate the construction of the new Peoria Heights Village Hall. The completed works, presented in October 1975, were accomplished by three young artists, Marlene J. Miller, Peter Ward Traugott and William T. Aspell. Each mural depicts its part in the historical sequence of the life of the Village of Peoria Heights.

The first mural represents the Peoria Heights area prior to European exploration and settlement. The American Indian depicted is a member of the Hopewellian culture which lived here between 500 B.C. and 500 A.D. The first depicts those who have left their footprint on our natural resources and their impact on our history.

The second illustrates the early exploration of the Peoria Heights area. A quote from the journal of Pere Marquette echoes what many have said upon experiencing the richness of that which we call “The River.”

The third mural relives the settlement of our home by a powerful symbol; the plow. The necessity of “The River” in our agricultural history and our present is evident through the artist’s mind and hands via the plow and the drying corn.

Last, the fourth mural provides a panoramic view of Peoria Heights. The David Swain riverboat reminds the observer of the importance of river traffic and symbolizes future growth. Yet, as one takes the time to observe, the skyline as it was in 1975, including the water towers and the Pabst complex, may be seen.

I often marvel at the history which embodies Richwoods Township and Peoria Heights. But, I also am reminded of those leaders who have recognized the significance of that history enough to provide a permanent celebration. Such are the Four Murals.

Come to Richwoods Township and Peoria Heights and observe the richness. Perhaps you might make history.